Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though slight debut feature casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a grimly amusing duel unfolds – David desperate to escape; the Poacher denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game releases in UK and Irish theaters from 17 November.
